Photographs: preferable to words, I'm thinking, though that may be because I've had to write too many of words over the past month (one novel manuscript and a Listener article: the latter pushed me over the edge). I've changed my author picture to a charming self-portrait taken this evening in the Sargeson flat, complete with TV in the background. I did this in part because a student who I will not name (PETER WILEY) told me the previous picture made me look twenty years younger than I appeared in person, and must have been taken a very, very, very long time ago. In a more complimentary vein, Steve Braunias once referred to it as my "hot author bint" photo.
(The TV show in the background is a re-run of "Home Improvement". I was waiting for the ads to come on so I could phone my sister back, because she watches the show and I didn't want to interrupt her. This is a long way of saying: I do not watch "Home Improvement".)
Today I had my photo taken by an actual professional, Robert Trathen, because I need some new publicity shots, and because I wasn't very happy with the results of the photo shoot a couple of weeks ago. Rob took my photo last year for Sunday magazine, and I liked him a lot, not simply because he's taller than me. I have a bad track record with short photographers. They tend to shoot me from below, and get touchy when I ask them to stand on a step ladder (or similar). Also, some photographers see me and think: aging person, writer, not a model, not beautiful, not thin, looks twenty years older than photo on blog would lead one to believe, etc. And then they produce photos in which I either look a) old and serious; b) old and frumpy; or c) old and manic. If I express any disappointment, to the photographer or the person who commissioned the photo session, the response seems to be: what's the big deal? Writers aren't supposed to be attractive; they're certainly not supposed to be vain.
Some photographers don't seem to understand that despite my world-renowned glamour, I am not a model, and cannot strike numerous fierce poses in the manner of a protege of Tyra Banks; I cannot do different faces. I can only do my face! When I used to do voiceovers for commercials at BMG, to save the company money, one producer asked me to re-read the copy in an Irish accent. I had to explain I was an employee, not an actor.
Some photographers don't realise that non-models need some time to relax, so our eyes don't look anxious in all the photos. They don't realise that orders like "do something with your hands" makes me want to clasp them behind my back like a child in a china shop (well, my brother at any rate, as ordered by my mother). They don't realise that saying "this will only take a few minutes" makes me absolutely certain the finished product will be terrible, because I will still be looking stiff and anxious (see above). They don't realise that when they order me to laugh I will not look "natural"; I will look like a gummy, wrinkled hamster. They don't realise when I point out my good side and beg them not to shoot from below, it's because I know what the results will look like. Or maybe they DO realise all of the above, and they just don't care. That's why, perhaps, most of the best pictures of me are taken by T. Middy, because he gives a damn.
This is why I like Rob. He's an excellent photographer who takes time and care. He persuades rather than commands. He tells me when something makes me look slimmer, or softer, or warmer, or more natural. When we went through the pictures at the end of the session today, there were more than a dozen we were both really happy with. There were some pictures that will work really well for upcoming Buddle Findlay Sargeson Trust ads; there were some good head shots for book promotion. The photographs look like me, without looking like me at my worst. He seems to get that some writers WANT to look like a hot author bint, not a bedraggled harpie.